Fairy In The House is a musical fragment in the sense of how romantic artists in the 19th Century, such as Friedrich Schlegel, Novalis or Samuel Taylor Coleridge used the term. When Chopin composed his Préludes, they were ment to remain but Préludes. Not an intro to a main part. The idea is to leave more room for imagination by celebration the unfinished, the fragment, the note. I always loved compositions where you can „see through“, their transparency and slimness.